Monday, October 5, 2009

Major Mackerel Attacked with Somarai Sword


Major Mackerel
A somarai Sword weilding husband attacked veteran dj Major Mackerel in Brooklyn. It was reported by 1010 Winns New York, that the Major Was having and affair with the weilder's partner, and was confronted by the husband. It is reported that he was chopped on the hand and over his head. He was treated at Kings County Hospital in Brooklyn.

Wednesday, September 9, 2009

Nothing could spoil the irie vibes at Jamboree

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Major acts do limited performances, some dropped from line-up
By Yasmine Peru
Wednesday, September 09, 2009

Irie Jamboree 2009 will surely go down in history as the show that Sean Paul took. The platinum-selling artiste took it to a new level of boring and started the trickle out of the York College venue in Queens, New York on Sunday. It is amazing how an artiste who goes on stage with all the right ingredients for success - big hit tunes, wicked backing band, healthy body dancers and two hype men - could have fared so badly. Hit song after hit song, there was still zero connect between Sean and the audience during his close to 30 minutes on stage.
Patrons were heard grumbling that the time should have been better allotted so that the more entertaining acts would have been given a chance to really represent the reggae genre. This, after Tarrus Riley got barely seven minutes on stage, and the Big Ship was shrunk to the size of a canoe, as the entire Big Ship Family of Freddy, Laden, Chino and Stephen got less than 10 minutes altogether to perform to a New York crowd that was obviously hungry for them. Also doing a hurried set during this crunch time was the Flames Crew represented by Tony Rebel and Queen Ifrica, both of whom yearned to do full sets.
It was especially frustrating to Queen Ifrica, who having done a scintillating set at Sumfest was really expected to blaze at Jamboree. At one point she even got impatient with the stage managers who constantly beckoned to her from the sidelines. Interestingly, the same ones who let Sean Paul go on and on without interruption.
"Yes bredren, mi hear you," she said as she defiantly continued to do what she was there to do - sing her songs and entertain her fans who were clamouring for her.
Mr Vegas, who was at the venue from early and who has one of the biggest songs in New York, I Am Blessed, didn't even get a chance to touch the stage, thus disappointing his fans who had paid to see him.
Despite this, however, there was still tons of irie vibes inside the venue, as Irie Jamboree, during its seven years, has made its name and so the show is truly a one-day celebration of Jamaican culture and not solely about the performances.
It was being staged for the first time at the York College campus and clearly the venue change didn't affect the turnout as thousands filled up the campus, armed with their Jamaican flags and generously patronising the vendors.
The show got off to the usual early start and by 2:30 artistes were on stage, albeit performing to a moderate sized audience. Advertised acts including the Canadian contingent of Steele, Tasha T and Humble gave New Yorkers real reggae, and so too did Bar-Bee, who was making her debut at Irie Jamboree. Female deejay Lady G, an acknowledged veteran at her craft, was delightful and earned the respect of the crowd. The duo of Daddy Lizard and Flourgon brought the old school vibes on campus, but the only problem is that they performed much too early; they should have come on during the same segment as the 'Bandilero', Pinchers, who also did a good set. Lizard even called up his son, an upcoming deejay, who looks set to walk in his father's footsteps.
The theme for this year's Jamboree was the History of the Music and the orgnisers used representatives from every era to take patrons down memory lane. While this is a good concept which must be lauded, unfortunately the promoters went overboard and put too many artistes on the line-up, hence the unfortunate ending which saw the major acts giving truncated performances.
But those artistes who came in the middle were allowed their given time and some of the performances were truly entertaining. Bushman, an act who is rarely seen on major shows, let the conscious vibes flow and was truly appreciated. His segment was commanding and his 'forwards' were well deserved. Ken Boothe, another of the seasoned veterans, showed his mastery and so too did Mr Lincoln Sugar Minott, a singer who can always be counted on to thrill his audience. The "Jamaican in New York", Shinehead, went through his familiar paces and his home crowd loved him.
Also giving a great solo performance was Gramps Morgan, who had an album release party the previous night.
Etana, who was making her second appearance at Irie Jamboree, did an attention-getting acoustic set which brought a mellow vibe in the venue. Roots and Wrong Address were among her offerings which were well received. TOK came right after and changed the mood drastically, so much so that the audience couldn't quite digest it; but Assassin proved a winner. His was an intelligent set with thought-provoking lyrics, similar to the performance he gave at A St Mary Mi Come From in August, and like he did then, he called on the Flossing King, Flippa Mafia for a cameo. New York loved Flippa, and he didn't even have to use his champagne-popping, money-throwing gimmicks to earn forwards.
Grace Hamilton was at her raunchy best and proved a real treat. The deejay known as Spice did her breakout single No Fight Ova Man and to prove this point she did the follow-up single in which she boldly calls the names of all the artistes who are demanding her body - Beenie, Bounty, Mavado, Kartel and even the Cool Ruler, Gregory Isaacs. It was all fun, especially since the Doctor himself was in the house and the cameras kept throwing to him enjoying her performance and calling her back on stage as she teased with the opening line of Romping Shop and declared that she was leaving.
During the breaks, the organisers used the opportunity to hand out awards to artistes who have contributed to the overall development of the music.

THE ANNUAL NEW JERSEY INTERNATIONAL MUSIC FESTIVAL

NEW YORK, NY (RHONA FOX, INC.) - The 9th Annual New Jersey International Music Festival is back with a new name and a lineup to prove its new promise. With a dream team of international superstars that include Fabolous, Rick Ross, Buju Banton, Machel Montano, Beenie Man and rising crossover dancehall star Magazeen, the festival sets the stage to be the biggest show of the year when it goes down on Sunday, September 20, 2009 at the Bears & Eagles Riverfront Stadium in Newark, New Jersey.
Originally showcasing the best acts in Caribbean music, promoters G. City, RoadBlockRadio.com, RACE Entertainment and CCB International have revamped the now nine-year old New Jersey Reggae Fest in more than just name; they've added international flair with two of the ultimate names in music with Rick Ross and Fabolous, and the very top Caribbean entertainers with Machel Montano, Beenie Man and Buju Banton.
Keeping in-tune with its new international claim, the headliners all bring a massive fan base in their respective genres. From Fabolous, whose newest album Loso's Way topped the Billboard albums chart when it dropped in July, to Ross' Deeper Than Rap that also debuted at #1 on Billboard's albums chart in April, earning him his third straight #1 album debut, to the 'king of dancehall' in Beenie Man, the 'king of soca' in Machel Montano, and the versatile reggae dancehall megastar Buju Banton, whose recent album Rasta Got Soul also hit Billboard, debuting at #2 on the reggae albums chart back in May.
The all-star roster also features Maybach Music and Ross' label mate, rising star Magazeen, whose dancehall flavor was personally pegged by David Letterman to perform on his show during Ross' appearance in May to promote Deeper Than Rap.
"I'm coming with all my hits from the best rap album of the year," discloses Ross. "And it will be a great introduction for Maybach Music's dancehall artist Magazeen, who will putting his skills on display alongside the veterans in the game."
"My vision has always been to unite the Caribbean through music so that we can have a stronger presence out there in the world," reveals Montano. "So I'm looking forward to bringing soca and calypso to the same stage where reggae and dancehall and rap and hip-hop and R&B will be represented. Every one of those genres has influenced all of our music in some way." For further information, contact G. City at 973-573-8154, RACE Entertainment at 973-418-3019, or CCB at 973-416-5306. Tickets are now available at www.ticketmaster.com or call 1-800-277-1700, or log on to www.roadblockradio.com. Limited advanced tickets are $39.99 (before September 6, 2009) and general advanced tickets are $59.99. VIP tickets are $99.99 and Skybox group rates are available - call 973-573-8154 for details.
The Bears & Eagles Riverfront Stadium is located at 450 Broad Street in Newark, New Jersey. Gates open at 12 noon with showtime set for 2pm, and there is parking available. Please direct media inquiries to RHONA FOX, INC. at 212-300-3813 or publicity@rhonafoxinc.com.

Thursday, September 3, 2009

Sean Paul debuts atop Billboard Rap Album Charts


Article was published in the Jamaica Observer 9/3/09

Sean Paul might be in Switzerland, but that won't stop his fourth studio album, Imperial Blaze, from continuing to blaze fire on the Billboard charts in the US.
SEAN PAUL... to be able to top the Billboard Top Rap Album charts is something that I'm especially excited about. Not because it's the Billboard charts, but because it's a dancehall album.
The album, his first in four years, has debuted at #1 on the Billboard Rap Album charts, toppling the likes of Eminem, Fabolous and Twista to top the charts.

This is his first time atop the rap album charts, and his second time on the Billboard Rap Album charts overall as his third studio album, The Trinity, peaked at #3 on the rap charts in 2005. It is also the first time a Jamaican artiste is topping that chart.
Sean Paul is also sitting comfortably atop the Billboard Reggae Album Charts, ahead of a Bob Marley compilation, Ziggy Marley's Family Time, and VP Record's Reggae Gold.
Imperial Blaze is heading for international success, debuting at #1 when it was released in the dancehall-hungry Asian nation of Japan last week, selling upwards of 50,000 copies in its first week. He topped the Oricon Weekly International Album Sales chart, the first time he has done so, and is holding his own on the Billboard Canadian Albums, France Albums, and European Albums with positions #5, #8 and #20 respectively.

Aside from those charts, Imperial Blaze is also #3 on the R&B/Hip Hop Album Charts, #12 on the Billboard 200, and #9 on the Digital Downloads charts.
The platinum-selling dancehall superstar, hailed by Essence.com - the online outfit of the popular North American publication Essence Magazine - as the "dancehall king", is now celebrating his first time atop the competitive rap charts.
"Anytime a song or an album makes it on a chart, I get excited, and now to be able to top the Billboard Top Rap Album charts is something that I'm especially excited about. Not because it's the Billboard charts, but because it's a dancehall album. It's made in Jamaica by Jamaicans. So I didn't top the Billboard Rap Album Charts, Jamaica did," said Sean Paul from Switzerland.

Irie Jamboree mourns passing of musical genius

By Louie Grant, Executive Director, Irie Jamboree
Thursday, September 03, 2009

Long Island, USA - Shades away from the midday hour on September 1, 2009, I regrettably learned of the passing of the legendary Wycliffe 'Steely' Johnson of Studio 2000 and Steely & Clevie fame, at the Brookhaven Hospital, here in Long Island, New York.
Johnson had been a patient at the hospital since he arrived in New York earlier this summer for an event for a select group of industry taste-makers who were invited to a listening session for the Lava Connection band, a group which, coincidentally, will be performing at this year's Irie Jamboree on Sunday, September 6. His untimely departure has therefore hit closer to home for some of us here in the New York Tri-state area.

Throughout his accomplished and distinguished career, Steely was very instrumental in hit-making efforts for a slew of top recorders in the reggae/dancehall fraternity, including Shabba Ranks, Coco Tea, Maxi Priest, Gregory Isaacs, Foxy Brown, Tiger, Aswad, JC Lodge, Admiral Bailey, Dawn Penn, Chaka Demus & Pliers, Beenie Man, Bounty Killer, Elephant Man, Stitchie and a host of international stars, including British group No Doubt. Steely debuted as a keyboardist with Sugar Minott's Youth Promotion and first played with Clevie at Lee 'Scratch' Perry's Black Ark Studios during the late 1970s.

In 1986, the duo was the house band at the Waterhouse-based King Jammy's Studio, and a year later established the Steely & Clevie label, which has since been one of the foremost producers of the reggae/dancehall recordings coming out of Jamaica.
Steely's long and absolutely hard-fought battle with kidney failure and subsequent pneumonia is evidence of the resilient and unwavering spirit which characterised his approach to life and his musical works in general. This loss will no doubt leave a void in the hearts of reggae/dancehall industry insiders, well-wishers and stakeholders worldwide.

Always a jovial, cheerful, "centre of the party fellow," yet extremely businesslike, serious and a focused soul during his creative compositions, Steely was truly a unique character with a well-intended big heart, which always had the best interest of our beloved music at its core.
The genre has been ably advanced because of people like Steely & Clevie. Steely will be sadly missed, though his creations and teachings will no doubt live on forever. Personally, I will forever fondly remember his kind invitation to me, some years ago now, to listen in on his now classic Street Sweeper riddim, while still a work in progress. I later found out this was most unlike him to extend such an invitation. I recall just how animated and involved he was in this project. It was as if he could feel every string, wind, percussion instrument... all the components of the total package.

I also treasure the many interesting stories he told of his own formative years in the business. This Street Sweeper project virtually introduced and even relaunched several artistes' careers, boasting several chart toppers of the day, including the hit collaboration Hot Gal by a young Sean Paul and Mr Vegas, both of whom are scheduled to perform at this weekend's Irie Jamboree 2009. The two have not performed together on a New York stage for quite some time now. Who knows, maybe they will oblige us this one, in the name of 'Steely' Johnson - à la Beres and Buju, a few years ago.
To his musical partner, Clevie Brownie, the Johnson family, fiends and peers, we have lost a troubadour of the music. Long live Steely.you are sadly missed

Monday, August 31, 2009

Ruffiann releases debut album after 21 years



By Basil Walters, Observer staff reporter
Monday, August 31, 2009

After 21 years, a change of focus and her fair share of hits, Ruffiann comes with her maiden set Save the Juvenile. The female deejay/singjay, formerly known as Lady Shabba, in addition to having her own Sugar Pan Productions label, is also a part of Max Romeo's Charmax outfit under which the album is produced.
RUFFIANN...This is my first album and it's pure freshness on it
Given her association with the veteran singer/producer, Ruffiann, who is experiencing a musical makeover of sorts, promised her fans pure freshness. "The album ready ready, ready, and a lot of people waiting for it for they want to see the next side of Ruffiann," the obviously excited entertainer told the Observer.
"A long time mi out deh, yuh nuh, 21 years. This is my first album and it's pure freshness on it," the highly enthusiastic artiste born Sharon Peterkin added. Among the "freshness" about which she exudes are collaborations with Max Romeo on two of his hits, Let the Power Fall On I and War Inna Babylon.This is how she gives account of the new phase of her musical career. "Max Romeo inspired me tremendously, but there ae other artistes out there who also had an impact . Shaka Demus and of course Shabba Ranks. Right now I'm just doing some conscious music, positiveness for the people dem."
Also on the Save the Juvenile project (the title song of which is her most recent hit) is her self-produced No Wuk No Deh from her Sugar Pan Production label. And the video for the song has recently been released and has been getting some rotations. Other tracks include Reservation For Two, Ma Ma's Boy and Protection.
However, the one anticipated to raise some eyebrows is the song which features her along with DJ Smooth from New York on the Nat King Cole classic Unforgettable.
"People are going to be surprised that I come back different doing some positive music. Who know me back in the days even as Ruffiann would know that Ruffiann was a raw, hardcore artiste. But now, they are going be surprised to know that Ruffiann come conscious, positiveness and ting," she concluded

Wednesday, March 11, 2009

Passa Passa Turns Six


Dancers showing Their Moves

Dancers Show Their Moves In the Street
The popular street dance ‘Passa Passa’, is celebrating six years of entertaining patrons on Spanish Town Road in Kingston Jamaica. Originally started to ease the violence between neighboring communities of Denham town and Tivoli Gardens, Passa Passa has grown to be one of the must “attend” Party for everyone who is an avid party lover whilst in Jamaica.

Passa Passa is held every Wednesday and attracts dancehall fans from all walks of life. On any given Wednesday you could see artist like Shaggy, Macka Diamond, BeenieMan, Movado or anyone who is anybody from the dancehall fraternity. On February 26th Spanish Town Road was jammed with “Passanians” reveling in the festivities celebrating the milestone. The ‘Gully God’ Movado, was given the honor has the main act when he took the microphone to deliver some of his crowd pleasing lyrics which erupted the massive in a screaming frenzy. There was an invasion of artists on hand who also showed their appreciation to their respective fans, which included the likes of Macka Diamond, D’Angel, Assassin among others.

The resident dancers were “in de building” to partake in the celebrations and to showoff their latest creations in dancing. Awards were given out to a number of dancers and dance groups, which are actually the main ingredients of Passa Passa itself.
The night also afforded the patrons to show off their best outfits. The night was another colorful and successful one, and from the look of things there are a lot more Wednesday nights to come.

Kartel And Movado as one?


VYBES KARTEL & MOVADO





Popular DJs and Arch rivals Vybes Kartel and Movado, the ‘Gully God’, have teamed up, not literally, to fight the banning of ‘Daggerin’ lyrics by the Broadcasting Commission of Jamaica. In separate incidents, the two have recorded songs to ‘voice’ their disgust at the commission for the banning.




Kartel said that the purpose of his anti-ban song was to express his disagreement with the commissions’ hasty decision. He also said it is an infringement on the public’s civil rights to choose what to listen to and an artist’s choice to express. Julian Jones- Griffith, manager for Movado said that the song truly expresses the DJ’s thoughts about the commissions and that “they can’t stop him”. We at Dancehall 360 Degrees hope that out of this situation some good can come, one way or the other.

Jamaican designs for Miami Fashion Week

Exclusive designs from Jamaican and American designers will be on parade at ‘Fashion on The Beach’, at the 11th annual Miami Fashion Week, on Friday March 20th.

The show will highlight swimwear, fall and winter fashions and eveningwear by Kaneea Linton Designs, who has produced wardrobe for Miss Jamaica Universe and Miss Jamaica World 2008. Posche Designs from Jamaica will also be displaying fashions.

The event is will be spearheaded by Maurice ‘Kelly’ Tucker, CEO and President of Syngen Magazine and vibezz Television. Mr. Tucker said the displays promises to be elegant and exciting.

Female DJ Spice plans to close down the “Rompin’ Shop”.


Female DJ Spice


Ace female DJ Spice is pondering with the M word. No not that one, its marriage. She was recently proposed to by the father of her child, Nicholas Lall, in which she ecstatically accepted by repeating the expression ‘Oh my God’ over and over.
But there are two obstacles in her way. One is the choice of having a private wedding or the fairy tail wedding she dreamed about long before she became famous. Two is the reaction from her male fan base.
Of the two choices the latter is the harder because of her status of the new sex symbol of dancehall for male fans. She has received tons of emails from her male fans expressing their disappointment in her decision. She has declared that a date has not been set as yet but it’s a definite. The DJ has a very busy schedule ahead of her with appearance in the Bronx on the 20th March, England on April 4th, St. Lucia on April 11th then back to Jamaica on April 12th. So with that kind of hectic work schedule I don’t think a wedding will be anytime soon.

Clashes reign at Follow The Arrow 10

Ninjaman and The Monster Empire were some of the casualties at the recent staging of the 10th anniversary of ‘Follow Di Arrow’ stageshow at James Bond Beach in St. Mary on Saturday February 28th. Merciless is once again proclaiming himself as ‘king of Clashes’ and is “ready fi Murder any DJ who tink him have the lyrics to compete”.

The clash started out with NinjaMan being the aggressor, having put Merciless’ back against the wall with his usual high energy performance and riling the crowd to shower him with ‘forwords’. But he dug his own grave by leaving and going back stage to celebrate early by drinking champagne with his entourage.

With the crowd hungry for more Merciless stood his ground and pounded NinjaMan (in his absence) with lyrics after lyrics. When the momentum shifted Merciless’ way, Ninjaman returned to the stage to try and reclaim the upper hand but to no avail. With songs like ‘Fifty Gun Questions’ and ‘Sayonara’, Merciless never turn down the pressure. Ninjaman was eventually booed off stage.

Kiprich showed The Monster Empire That ratio is not always correct. The three to one situation was never a problem for the lone DJ, who dismantled the empire with little effort. With lyrics like “valentines day Yu buy Roundhead brassiere and buy Ghost underwear wid di back part tear”, the trio was no match for the St. Catherine DJ. There were also good performances from Queen Paula, Movado, Assassin, Macka Diamond, Bounty Killa, DJ Roach (former road manager to Vybes Kartel), Black Queen and Stacious.

Tifa: Ready For 2009


Tifa - Dancehall Sensation


2009 is the year for Latifa Brown, aka Tifa. After being nominated for awards from the Excellence in Music & Entertainment, Youth View Awards and the RETV MVP Awards. She is ready to take the world by storm. She recently performed with the TNT crew, which also include Natalie Storm and Timberlee. The event was a sold out affair.



Tifa will be on tour across Jamaica with the RJR Cross Country Invasion along side artists like Koshens, Stacious, Cameal Davis, Laden, Kip Rich, Nesbeth among others.
She will also be performing in Canada at the Dancehall Cares concert in aid of the Bustamante Hospitol for Children.

Friday, March 6, 2009

The Dangers Of Daggerin' Ina Dancehall

THE DANGERS OF "DAGGERIN" INA DANCEHALL
By: Nigel (ninja) Reynolds
March 6 , 2009


Back in the early eighties I used to do a lot of dancing, yes sir I had my own dance group, "ET Invaders". This chubby guy ya used to put down some moves and if a guy think a lie me a tell and waan come test me - ready when yu ready. But I gave up the dream of becoming a professional dancer when the flicks and the “spin pon head top” entered the game. You see I have always been afraid of a little broken bone because if bones were meant to be broken every child would be born with a body repair manual attached to his or her umbilical cord.

Dancing nowadays has taking the same turn once again. Have you been to any of these parties lately and seen these so called dancers do their moves? It is down right too dangerous for my liking and I think that some one will get hurt very soon.


Below is an article published by dancehallmuzik.com about the dangers of “Daggering”.

[Mi climb up pon a building an chuck off pon a girl wah some man a hold, but she slip outta one a di yute dem han and when mi lan pon ar she lick up ar head an knock out, a me same one haffi lif ar up an carry har go doctor.]
- Sample Six







It's early in the morning: the music is pumping, the energy is high, the selectors are taking the party to another level - the dancers are now in a frenzy, the sky has started to show indications of dawn. What time is it? It's Daggerin' time!
This new phenomenon sweeping the dancehall is sometimes like a bad car wreck - you don't want to watch it, but it's so hard to look away. Do you remember the infant stages of dancehall when it used to be a man and woman slow dancing, or, "Rent a tile" (That's when they were so close that it seemed both persons could fit on a single floor tile)? There was the "Cool and deadly" (That's a very slow wine) and the "Water Pumpy" (Another slow wine).
Then the evolution began! Other dances, like "Stuck", "Della Move", "Bogle" and "Butterfly" started to pull the couples apart until it reached the stage where the men "stole" the spotlight and the dance floor from the women. Now it seems that the dancing in dancehall has come full circle - the men and women are back together on the dance floor, but this time it's not as cool as it is deadly. Daggerin' is the order of the day (or early morning), but like the "Dutty Wine" many are wondering, "Isn't this dangerous?"



For those of us who are unfamiliar with the act or concept of Daggerin', it's when the male and female dancers seem to be mimicking wild bedroom moves and positions on the dance floor, "sex inna clothes" as some call it. Male dancers climb up on top of speaker boxes, buildings or into trees (depending on the venue) and then jump off onto ladies spread out on the ground below or being held by another set of men. (Sounds crazy doesn't it?) There are also the forms of Daggerin' when a girl jumps up and straddles the waist of her male partner and they gyrate wildly and sometimes run around the party and end up on the floor or on a chair or...wherever; but it's all in the name of fun, or is it?



What happens when a girl slips from someone's grasp and hits her head? Or when she's thrown on the ground and someone dives on top of her and she gets injured? There are a myriad of ways in which people can get hurt, so we caught up with some of the main "Daggerers" in dancehall to hear what they thought of the dangers of daggerin'.



Sample six- Dancer


Dancehallmuzik.com: Sample 6 what do you think of the whole Daggerin' thing?
Sample 6: Well it's dancing yuh nuh, but dem jus need fi careful.



DHM: I know there are different levels of Daggerin', how far do you take it?
Sample 6: I Dagger yuh nuh, but I Dagger careful. I climb pon building an speaker an pure tings, but mi careful wid mi ting.



DHM: Some people will look on and say that Daggerin' looks like rape, when di girls a run from di man dem an so on, what do you think about that?



Sample 6: It look bad, an nuff a dem no careful, yuh need fi careful when yuh a Dagga.
DHM: So why are you always careful?



Sample 6: Well one time mi knock out a girl still.
DHM: Fi real? Where was that?



Sample 6: It was a ting name "Star Mondays" a Portmore wah di "Star Girls" dem put on. Mi climb up pon a building an chuck off pon a girl wah some man a hold, but she slip outta one a di yute dem han and when mi lan pon ar she lick up ar head an knock out, a me same one haffi lif ar up an carry har go doctor.



DHM: So afta dat yuh still jump from buildings?
Sample 6: Yeah, (laughing), but mi more careful an mi haffi know di girl an di man dem wah a hold ar.




Shelly Belly - Dancer

DHM: How do you view Daggerin?
Shelly Belly: A fun man, fun fi di girls dem, so dem can dance an enjoy dem self; yuh see it? As long as no man no violate di girls dem it's all good.



DHM: So do you think Daggerin' is dangerous?
Shelly Belly: It can be dangerous if yuh nuh careful, but a di selector dem boost it up, a tell di people dem fi do a bag a tings, an dem jus go wid di vibes an no tink. So a careful wi say, see mi?



DHM: Do you go to di parties with the girls that you know can deal with the Daggerin' or you just pick a girl from the crowd?
Shelly Belly: Well you know my ting eenu boss, di girl dem love Shelly Belly style an vibes so dem will come dance wid me, an as RDX say "Go fi ar."



DHM: So what about the jumping from speaker boxes and all that stuff?
Shelly Belly: No a no me dat, mi no deal wid dat, dem need fi careful.
[Mi nuh see di necessity fi a scrape scrape up myself an a juk juk pon di grung an mi naw get nutten outta it, fi a song wah ago last fi 3 minutes.]

Kool Kid (Colo Squad)
DHM: What is your take on Daggerin?
Kool Kid: I am di one dat endorse Daggerin' to di fulles, but I know what I am doin
DHM: So yuh jump from speaker boxes as well?

Kool Kid: I go up on boxes wid girls, but I don't jump off, I don't tek it to dat extreme. I go out meet girls an Dagger and I mek sure I don't hurt myself or dem.


Latesha - Dancehall Queen

After talking to all these male dancers, we had to get a female perspective from who else, but dancehall Queen Latesha?

DHM: What do you think about this whole Daggerin' thing?
Latesha: I like it; it's action, entertainment and drama.

DHM: So do you take it to di extreme with the stunts that I see some of these dancers doing?
Latesha: A man can come wine pon mi eenuh an lif mi up an ting, but nuh grung. Nuh speaker box, nuh roof nutten like dat, wi jus wine, an juk an, warm it up yuh nuh? (Laughing)

DHM:Is it because you're a hot girl an you don't want to dirty up yuh clothes an mess up yuh hair why yuh don't deal wid di ground ting?
Latesha: No man, ah nuh dat, is jus dat I don't see why dem need fi a gwaan so, cause if wi did really inna bed a dweet, dem wouldn't a do dem ting, dem couldn dweet (Laughing). Dem need fi tone it dung.

DHM: So do you only dance with people you know?
Latesha: No, if I know yuh face I will dance wid you, or if mi inna di vibes an yuh look awright mi wi dance wid yuh. But even if mi know yuh, from yuh start get wild a it dat, mi nuh inna di wild man ting. Mi nuh see di necessity fi a scrape scrape up myself an a juk juk pon di grung an mi naw get nutten outta it, fi a song wah ago last fi 3 minutes. (Laughing)

So we have seen that Daggerin' like most other things we do for fun is fine in moderation and as long as we're careful we should be ok. From ths, we have also realize that all the dancers are saying the same thing, and that is, "Dagger Responsibly," to avoid the dangers of Daggerin'.